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            THE CLOSING RECEPTION FOR:GRAYSON CHANDLER: PLANTING TRACES. WORKS BY STEVE PRINCE ARE FEATURED IN THE PORTRAIT OPENING SEPTEMBER 14. JILL CARNES, BILLY MARTIN, JEFFREY WHITTLE͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Grayson Chandler,<em> Migrations, </em>2024, Watercolor, Gouache, and Acrylic on paper 30 x 22 Inches, $3,100 </p></div>
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      <h2 style="color:inherit;margin:1.414em 0 .5em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;line-height:1.4em;margin-top:0px;margin-bottom:0.5em;">YOU ARE CORDIALLY INVITED TO ATTEND THE CLOSING RECEPTION FOR:</h2><h2 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;"><em>GRAYSON CHANDLER: PLANTING TRACES</em></h2><h2 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;">SATURDAY, AUGUST 31, 2024, 2-5PM</h2><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.lindamatneygallery.com/events/2024/8/31/the-closing-reception-for-grayson-chandler-planting-traces" rel="nofollow" style="color:#1c1d1e !important;">LEARN MORE</a></p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"></p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"></p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Call or text Lee Matney at 757 675 6627</p><h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.46484375em;mso-line-height-alt:1.46484375em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><em>The work lures viewers in through diaphanous layers of color and form, encouraging a closer, longer look. The process of painting in water-based media is evident in the translucent stains and fluid shapes punctuated by delicate outlines of forms that come in and out of view as one engages with the image up close.</em></h3><h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.46484375em;mso-line-height-alt:1.46484375em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;">Margaret Richardson, Ph.D</h3><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"></p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class="">Grayson Chandler is a Houston-based artist associated with the Deborah Colton Gallery whose paintings have been exhibited and collected in Texas and abroad, with a work in the Museum of Fine Arts Houston. His solo Spring 2024 exhibition at the Matney Gallery is <em>Planting Traces</em>, a series of colorful, multi-layered abstractions in watercolor, gouache, and acrylic that celebrate the distinct capabilities of water-based media and use it to reinforce the themes and imagery in the works. With an appealing handling of formal elements and familiar references to the natural world, Chandler urges viewers to linger on the surface of the images and then dive deeper within. &nbsp; &nbsp;</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The work lures viewers in through diaphanous layers of color and form, encouraging a closer, longer look. The process of painting in water-based media is evident in the translucent stains and fluid shapes punctuated by delicate outlines of forms that come in and out of view as one engages with the image up close. Traces of nature embedded in the compositions emerge, informing one reading of the exhibition’s title. As viewers search for meaning, they recognize hints of terrestrial and aquatic life--flower petals, plants, insect wings, and mushrooms mingle with algae, jellyfish, and coral. Bubbles and fizz gurgle up from the depths. The effect is as if looking through a microscope, peeking into a puddle or pond, or looking through water, from above or within. &nbsp;</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Stepping back, however, another picture and interpretation unfolds. The minutia blurs together in a Gestalt, with some compositions taking on the appearance of monumental land or seascapes or topographies. In Precipice (2023), Incantata (2020), Windfall (2023), and Kingdom (2024), color washes form monumental mountains defined by foliage and cloud-like puddles. Monastery (2020), Estuary (2024), Pendant (2022), and Viridis (2022) seem like aerial and topographical views of terrain, documenting elevation, landmasses, and curving rivers, some marked with flag-like identifiers or edifices. Tide Pool (2024) looks as if something is being thrown or is passing through water, causing bubbles and rustling the surroundings. The dark framing in Primordia (2022) seems like a diorama into another world.</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">With this effect, the compositions take on the function of a kind of Rorschach blot, as both intend to reveal something about our perception of and relationship with our world. Allusions to water, transformation, and journeying make associations to Jungian interpretations of the unconscious and the imagery imbedded there that we may all share. In the process of looking, viewers realize an uncontrollable urge to impose meaning and make sense of the world as they consider their relations to it. While these concerns take on urgency in today’s climate, they are subtly suggested, not in overt or didactic displays, but aesthetically, as one enjoys the beauty of the forms and considers their relationships. Abstract, they contain whatever one sees in or projects onto them, as what is planted are mere traces of significance. &nbsp; &nbsp;</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">&nbsp;</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Margaret Richardson, Ph.D., June 22, 2024</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"></p><h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.171875em;mso-line-height-alt:1.171875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:.02em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;">VIEW WORKS AT MATNEY GALLERY, 5435 RICHMOND RD, WILLIAMSBURG (BEHIND CAROLINA FURNITURE); CONTACT<a href="https://www.lindamatneygallery.com/contact" rel="nofollow" style="color:#1c1d1e !important;"> THE GALLERY</a></h4><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">      </p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Planting Traces, </em>the title of Grayson Chandler’s 2024 Spring solo, alludes to the manner of abstraction that permeates his artwork. Embedded in his process is the idea of allowing subliminal matters, space and time, to grow into something more observable so that something more illuminating may take root. This preoccupation with observation stems from a belief that meaning emerges from mindful cooperation with one’s surroundings and that a sense of destination is nurtured as one becomes more mindful of one's environment.</p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class="">&nbsp;&nbsp;</p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class="">&nbsp;<strong>Biography</strong></p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Born in Houston, Texas, in 1994,&nbsp;Grayson Chandler’s exposure to the visual arts began at a young age. Chandler has been selling and exhibiting his paintings in Texas and abroad since graduating with a BFA from the University of North Texas in 2018. His early success can be demonstrated through numerous solo and group shows, garnering his artwork a rapidly growing admiration from significant collectors and Houston institutions. His 2022 solo IN VIA, at Deborah Colton Gallery, saw his work acquired into the MFAH’s permanent collection. Other notable shows include a 2021 Solo at Pearl Fincher Museum in Spring, Texas, and his upcoming solo at the Jung Center in 2024. In addition to his professional practice, Chandler also serves on the board of the Visual Arts Alliance (VAA) — an all-volunteer nonprofit organization seeking to provide educational and career opportunities for serious visual arts practitioners within the Houston community.&nbsp; </p><p style="color:inherit;font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class="">Pictured: <em>Tidepool II<strong>, </strong></em>2024 Watercolor on paper 13.5 x 10 inches $1,200</p><h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.46484375em;mso-line-height-alt:1.46484375em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;"><em>Embedded in his process is the idea of allowing subliminal matters, space and time, to grow into something more observable so that something more illuminating may take root. This preoccupation with observation stems from a belief that meaning emerges from mindful cooperation with one’s surroundings and that a sense of destination is nurtured as one becomes more mindful of one's environment.</em> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</h3>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">WORKS BY STEVE PRINCE ARE FEATURED IN <em>THE PORTRAIT</em> OPENING SEPTEMBER 14 AT MATNEY GALLERY WITH ADDITIONAL WORK AT CURRENT MIDTOWN</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"><a href="https://www.lindamatneygallery.com/steve-prince" rel="nofollow" style="color:#1c1d1e !important;">LEARN MORE</a></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"><strong>Steve A. Prince </strong>is a native of New Orleans, Louisiana, and he currently resides in Williamsburg, Virginia. He is the Director of Engagement and Distinguished Artist in Residence at the Muscarelle Museum at William and Mary. Prince received his BFA from Xavier University of Louisiana and his MFA in Printmaking and Sculpture from Michigan State University. &nbsp;Prince is a mixed media artist, master printmaker, lecturer, educator, and art evangelist. He has taught middle school, high school, community college, 4-year public, and 4-year private, and has conducted workshops internationally in various media.&nbsp;</p><p style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;margin-top:0px;margin-bottom:0px;" class="">He has worked with several churches of various denominations across the nation spreading a message of hope and renewal philosophically rooted in the cathartic nature of the Jazz Funerary tradition of New Orleans. &nbsp;To Prince, art media is like languages to a linguist as he adeptly tithers between two-dimensional and three-dimensional artistic practices while working with virtually every age bracket and multiple ethnicities. &nbsp;He is represented by Eyekons Gallery in Grand Rapids, Michigan, Black Art in America in Columbus, Georgia, and Zucot Gallery in Atlanta, Georgia. Prince has created several public works including an 8’ x 8’ mixed media work titled “Lemonade: A Picture of America” at William and Mary commemorating the first 3 African American resident students in 1967 at the college, a 15’ stainless steel kinetic sculpture titled “Song for John” located in Hampton, Virginia and a 4’ x 32’ communal woodcut titled, “Links,” commemorating the 400thanniversary of 1619 and the first documented Africans at Point Comfort (Hampton, Virginia.)&nbsp;</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;margin-top:0px;margin-bottom:0px;" class="">Prince has received several honors for his art and scholarship including the 2010 Teacher of the Year award from the City of Hampton and he is a 2020 recipient of a VMFA (Virginia Museum of Fine Arts) Grant. Prince has shown his art internationally in various solo, group, and juried exhibitions. He has participated in several residencies including Artist in Residence at Segura Arts Center at Notre Dame University, Pyramid Atlantic Art Center in Hyattsville, Maryland, the Atlanta Printmakers Studio, and the University of Iowa to name a few.&nbsp;</p></div>
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Steve Prince, <em>Hallelujah Anyhow</em>, 2021, Linoleum, 36 × 24 in | 91.4 × 61 cm, Edition of 40</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">IN PRIVATE COLLECTIONS VIA MATNEY GALLERY, CALL FOR INFORMATION ON THIS EDITION</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">JEFFREY WHITTLE’S <em>WISTERIA AND FIREFLIES</em> NOW IN A PRIVATE COLLECTION. A NEW PAINTING DEPICTING ATHENS ARTIST JEREMY AYERS WILL BE UNVEILED IN THE PORTRAIT SHOW OPENING SEPTEMBER 14</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">On view in THE LANDSCAPE AT CURRENT MIDTOWN.  <a href="https://www.lindamatneygallery.com/current" rel="nofollow" style="color:#1c1d1e !important;"> LEARN MORE</a> </p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">NEW JILL CARNES PRINTS RELEASED. HER “POLAROID” PORTRAIT OF JEFF MANGUM WILL BE UNVEILED AT THE PORTRAIT SHOW ON SEPTEMBER 14.</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"><a href="https://www.lindamatneygallery.com/jill-carnes-works" rel="nofollow" style="color:#1c1d1e !important;">PURCHASE PRINTS VIA OUR SECURE SERVER</a></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Jill Carnes’ work has been shown in diverse locales including Athens, Asheville, Atlanta, Austin, and New York City and in exhibitions alongside Lonnie Holley, Thornton Dial, Clementine Hunter, Bill Traylor, Howard Finster, Mose Tolliver and Jimmy Lee Sudduth. Jill Carnes' artistry is a vibrant tapestry of color, pattern, and innovation. Her paintings and drawings have adorned the album covers of bands such as Neutral Milk Hotel and cd inserts for projects featuring R.E.M., Indigo Girls, Madonna, Vic Chesnutt, Victoria Williams, Pearl Jam, Garbage, Kristen Hersch, Soul Asylum and Hootie and the Blowfish. Her work has been exhibited in the Georgia Museum of Art in association with the Elephant Six Collective, a group of American musicians that gave rise to numerous prominent indie bands of the 1990s, including the Apples in Stereo, the Olivia Tremor Control, Neutral Milk Hotel, Elf Power, of Montreal, and Circulatory System. Her contributions have also been featured in esteemed publications like Rolling Stone and Creem and projects for Sony Music.  Jill’s talents extend beyond visual art; she also captivates audiences musically as Thimble Circus, incorporating whimsical instruments like the toy piano and trombone kazoo into her performances. Michael Stipe included Jill’s name in an art piece in his 2021 book of photography.</p></div>
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      <h2 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;">INTRODUCING BILLY MARTIN AND HIS COLONIAL-INSPIRED POP ART</h2><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"></p>
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              <div class="section-caption-text" style="position:relative;"><h1 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:2.288818359375em;mso-line-height-alt:2.288818359375em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;">REBECCA SHKEYROV IN PARIS</h1><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Rebecca Shkeyrov is an artist who discovers vibrant colors and geometric structures in figures and spaces. Using a formalist approach to image-making, she explores surreal narratives, self-identity, and personal relationships in her work. <a href="https://www.lindamatneygallery.com/news/2023/2/14/shkeyrov" rel="nofollow" style="color:#1c1d1e !important;">READ MORE</a></p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">BENJAMIN ROUSE</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Benjamin Rouse is an American artist known for his evocative works examining entropy, illusion, and personal acceptance. A self-taught artist, his imagery is strongly influenced by the iconography and rituals he experienced within the Mormon temple as a child.&nbsp;</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">&nbsp;&nbsp;Utilizing mirrors, water, and illusory compositions, Rouse achieves surreal imagery entirely through analog techniques— a practice he describes as "outsourcing to nature." For this reason, he is as much a technical innovator pushing the boundaries of ordinary material as he is an artist in pursuit of sincere, creative expression.  <a href="https://www.lindamatneygallery.com/benjamin-rouse" rel="nofollow" style="color:#1c1d1e !important;">READ MORE</a></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Pictured: <em>Coleman Barks</em> by Benjamin Rouse</p></div>
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Benjamin Rouse, <em>Silo</em>, 2020, Silver gelatin print, 10 × 14 in, 25.4 × 35.6 cm.</p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;"><em>THE LANDSCAPE</em> AT CURRENT MIDTOWN</h2><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">FEATURING BRIAN FREER AND MICHAEL ROSS WITH OTHER MATNEY GALLERY ARTISTS. NEW WORKS BY JILL CARNES AND JEFFREY WHITTLE</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Curated by Lee Matney</p><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;"></h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">LOCATION:</p><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;"><strong>CURRENT MIDTOWN APARTMENTS</strong></h2><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">221 Monticello Ave, Williamsburg VA 23185</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Pictured: Michael Ross, <em>Magnolia Forest</em>, Oil on canvas, 44x60</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Michael Ross grew up in Norway and Finland, moved to Maryland as an adolescent, and graduated with a B.A. in anthropology from the University of Maryland in 2000.&nbsp; Before moving to Athens, Georgia, where he finished his MFA in painting at the University of Georgia in 2016, Ross attended artist residencies in Norway, Iceland, and West Africa, and lived for several years in San Francisco.&nbsp;&nbsp;He has shown his work in galleries around the country, and is featured in the permanent collections of the University of Georgia, the Washington, DC Department of Transportation, and in numerous private collections in the United States and in Europe. &nbsp;In his work, Ross explores the interplay of the human, natural, and mythical worlds in a manner that emphasizes emotional and sensory experience. &nbsp;Ross continues to work out of his studios in Athens, Georgia, and Bethesda, Maryland.&nbsp;</p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">BRIAN FREER</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"><a href="https://barelysouthreview.com/brian-freer-reverse-perception-video-spring-24-issue-15-2/" rel="nofollow" style="color:#1c1d1e !important;">Pictured Brian Freer’s </a><em><a href="https://barelysouthreview.com/brian-freer-reverse-perception-video-spring-24-issue-15-2/" rel="nofollow" style="color:#1c1d1e !important;">Reverse Perception</a></em><a href="https://barelysouthreview.com/brian-freer-reverse-perception-video-spring-24-issue-15-2/" rel="nofollow" style="color:#1c1d1e !important;"> in Barely South Review.  LEARN MORE</a></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Brian Freer was born on September 16, 1973, in Chicagoland, where he was introduced to art and photography at an early age, thanks to his grandparents’ enthusiasm for the medium. His academic journey took him to Virginia Commonwealth University, where he pursued studies in literature and biology. Although not officially enrolled in the photography department, Brian utilized the university’s lab, embodying the spirit of a “presumptive student.”</p><p style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;margin-top:0px;margin-bottom:1.6em;" class="">Before venturing into publishing and creative agencies, Brian worked as a programmer and graphic arts software integrator in the newspaper industry. In 2005, he founded “Health Journal,” a regional monthly print magazine. In 2010, Brian established Tusk Creative Agency, serving as its creative director.</p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">ELIZABETH MEAD</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Mead’s sculpture and drawings have been exhibited across the U.S. as  well as in Iceland, Italy, Korea, Taiwan, Japan, Portugal, Australia,  and England. She has designed more than two-dozen theatrical productions  including work with the internationally acclaimed, Tony award winning  Theatre de la Jeune Lune. She has had over two-dozen solo exhibitions  and her sculpture and drawing have been included in more than fifty  group exhibitions.</p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.7em;margin-top:0px;margin-bottom:0px;" class="">  A recipient of the Japan/US NEA Creative Artist Fellowship  (2002-03), Mead spent six months living and working in Japan. Mead has  received recognition for her work in theater by the Dallas Theater  League (1998) and the Theater Communication Group/NEA Designer  Fellowship (1997, 1998). Mead attended the Ecole Internationale de  Jacques Lecoq in Paris, France (1995). She was awarded a work-stay  residency at Sculpture Space in Utica, New York (1992). Mead was awarded  a Nes Artist Residency (2009) in Skagaströnd, Iceland, where she  examined experiential aspects of landscape and the ways environmental  cues connect us to the world. </p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">JEFFREY WHITTLE </h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Jeffrey Whittle is a figurative painter living in Athens, Georgia. His mediums include oil on panel/canvas and mixed media. Whittle’s recent paintings explore beauty, love, and an expansive sense of time, By juxtaposing the ephemeral (flowering plants) with the infinite (star-scapes) my desire is to represent of both day time and night time simultaneously as well as the eternal/fleeting temporal experience.</p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class="">He received his MFA in Painting from Cornell University and his work has been exhibited nationally and internationally. He has been the recipient of numerous artist’s grants, residencies, and awards.&nbsp; Jeffrey Whittle teaches studio art courses at the University of Georgia and has a long association with Italy and coastal Maine.</p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">LEE MATNEY</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Pictured: Lee Matney, <em>Robert and Shani,</em> 2007 </p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Lee Matney, a native of Richmond, VA, has over 25 years of experience in the art world in Virginia, Georgia, Texas, and elsewhere. His gallery specializes in developing thematic group shows and collaborative art projects with international and American artists. The gallery also offers consulting for investment art; with a focus on quality and service, Linda Matney Gallery provides an excellent resource for contemporary art lovers everywhere. Specialties include Southern art, Art Rosenbaum, Southern photography, Virginia colleges, and Texas art.</p></div>
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      <h2 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;">OLGA TOBRELUTS AND IVAN PLUSCH AT TRADITION</h2><h2 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;">OPENS JULY 25. <a href="https://www.lindamatneygallery.com/contact" rel="nofollow" style="color:#1c1d1e !important;"> CONTACT US</a></h2>
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Olga Tobreluts,  <em>Heart, </em> 2014-2015, Oil on Canvas, 77 9/10 × 74 in | 197.9 × 188 cm</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">on view at Tradition, 700 Thimble Shoals Blvd #100, Inquire</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><h2 style="margin:1.414em 0 .5em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;line-height:1.4em;margin-top:1em;margin-bottom:0.5em;">OLGA TOBRELUTS<br>PRESENTED IN CONJUNCTION WITH DEBORAH COLTON GALLERY</h2><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class=""></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Born in 1970 in Murino, Leningrad Oblast, Russia, Olga Tobreluts now lives in St. Petersburg and has studios also in Berlin, Germany, and San Tagliamento, Italy. An accomplished artist who works with photography, video, painting, and sculpture, Olga is a pioneer of the digital art movement in Russia and has belonged to the Neo-Academism group of artists in St. Petersburg since 1994. Olga has had numerous solo museum exhibitions worldwide, including in Belgium, Germany, France, United Kingdom, Spain, Italy, Netherlands, Norway, Sweden, Finland, Denmark, and Singapore. Moreover, Tobreluts has been shown by American favorites like Tony Oursler and Cindy Sherman, in addition to countless other well-known international artists.</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Her works have been exhibited at prestigious institutions such as the Tate Modern in London, the Museum of Modern Art in New York, the State Russian Museum in St. Petersburg, the Modem Centre for Modern and Contemporary Arts in Hungary, the Museum of Modern Art in Moscow, the Ostende Museum in Belgium, the Modern Art Museum in Stockholm, the Ludwig Museum in Budapest, and numerous others. Her works have been acquired by significant art institutions including the MoMA, New York, the State Russian Museum, the Ludwig Museum, Budapest, the Bornholm Museum of Contemporary Art, Denmark, the Baron Von Stieglitz Museum, St. Petersburg, Groningen Museum, Netherlands, the Ibsen Foundation, Oslo, Germany Women ArtMuseum, Bonn, and V &amp; A Museum, London.</p></div>
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              <div class="section-caption-text" style="position:relative;"><h1 style="color:inherit;margin:1.414em 0 .5em;font-size:2.288818359375em;mso-line-height-alt:2.288818359375em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;line-height:1.2em;margin-top:0px;margin-bottom:0.5em;">IVAN PLUSCH</h1><h2 style="margin:1.414em 0 .5em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;line-height:1.4em;margin-top:1em;margin-bottom:0.5em;">PRESENTED IN CONJUNCTION WITH DEBORAH COLTON GALLERY</h2><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.7em;margin-top:0px;margin-bottom:1.7em;" class=""></p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.7em;margin-top:0px;margin-bottom:0px;" class="">Ivan Plusch (born in 1981) is a young artist from the rising Russian scene, part of the Nepokorennie group (“The Unconquered”) based in St. Petersburg. He studied in various art schools, such as the State Academy of Art and Design, the Roerich Art School and the PRO ARTE Institute. Ivan Plusch is part of a generation of artists who were still children at the time of the fall of the USSR; consequently, he was marked by these sudden sociological and economic changes in the early 90s. His work bears the marks of these changes, from dearly regained freedom of speech to the people and their relationship with society, whether it is of alienation or of liberation. However, Plusch’s work goes further than mere sociological observation. He reinterprets the art history and tackles the norms of social realism–in particular those of monumental sculpture—and integrates them into his paintings. Comfortable with all mediums, working with sculpture as well as painting, Ivan Plusch is a diverse artist delivering work that fits thoughtfully within Post-Soviet art. Playing with the image of a happy future but from elements of the former communist regime, Plusch questions, the relationship between man and his environment. </p></div>
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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">STEVE PRINCE</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Steve A. Prince is a native of New Orleans, Louisiana, and he currently resides in Williamsburg, Virginia. He is the Director of Engagement and Distinguished Artist in Residence at the Muscarelle Museum at William and Mary.</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Pictured: <em>Hallelujah Anyhow</em>, 2021, Linoleum, 36 × 24 in | 91.4 × 61 cm, Edition of 40. </p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">SOLD</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"></p><h1 style="color:inherit;margin:1.414em 0 .5em;font-size:2.288818359375em;mso-line-height-alt:2.288818359375em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;line-height:1.25em;margin-top:0px;margin-bottom:0.5em;">SYNESTHESIA</h1><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class=""></p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class="">This captivating showcase explores the harmonious interplay among diverse  elements of taste, sight, and sensation, weaving together the realms of  painting and plated cuisine. The exhibition is designed to evoke  memories and comfort, drawing upon echoes of heritage and personal  recollections of extraordinary meals and remarkable restaurants.</p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class=""><a href="https://www.lindamatneygallery.com/current" rel="nofollow" style="color:#1c1d1e !important;">VIEW EXHIBITION</a></p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class="">Location:</p><h2 style="margin:1.414em 0 .5em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;line-height:1.25em;margin-top:1.414em;margin-bottom:0.5em;">SATÉ, A New American Experience</h2><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class="">694 Town Center Drive, Newport News, VA 23606</p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class=""><a href="https://www.google.com/maps?q=694%20Town%20Center%20Drive,%20Newport%20News,%20VA%2023606" target="_blank" rel="nofollow noopener noreferrer" style="color:#1c1d1e !important;">View map</a></p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class="">Phone number</p><p style="font-size:.9375em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;line-height:1.618em;margin-top:0px;margin-bottom:0px;" class="">(757) 330-2299</p></div>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/520e5a8ee4b0126d6009073a/c77a21a6-a026-42c6-a0ca-9c2c99256c38/IMG_0341.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.75em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Pictured: Kyle Fowlkes with <em>Royal Herd</em> by Brian Freer</p><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">About Chef Kyle Fowlkes</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Saté: A New American Experience in the heart of City Center is led by the culinary creativity of Chef Kyle Fowlkes.</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Chef Kyle's journey into the world of gastronomy began with his grandmother, who instilled in him a profound love for the culinary arts. They worked side by side in the kitchen, nurturing his passion from a young age. This enduring connection to his culinary roots has been the driving force behind his commitment to creating unforgettable dining experiences.</p><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">A distinguished graduate of the esteemed Johnson and Wales University, Chef Kyle brings a fresh perspective to the culinary world, infusing Southern, Asian, and New England influences into every dish he crafts.</p></div>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/520e5a8ee4b0126d6009073a/1695595315737-COOVC79JX66YJS1TZRU4/Pearl-Fincher-Finster+and+Rosenbaum+2022%2C+Houtson.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.75em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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              <div class="section-caption-text" style="position:relative;"><h2 style="margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;color:#313131;">A FOCUS ON ART ROSENBAUM</h2><p class="" style="font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;"><br>Art Rosenbaum, 1938-2022, was born in Ogdensberg, NY.  He was a painter, muralist, illustrator, collector, and performer of traditional American folk music. He earned his MFA in Painting at Columbia University and has worked in France on a Fulbright in Painting; he also held a Fulbright Senior Professorship in Germany. Among his exhibitions were the New Orleans Triennial and the Corcoran's 41st Biennial of American Painting, and his works are in many collections, including the New Orleans Museum of Art and the Columbus (GA) Museum, the Georgia Museum of Art, and the Smithsonian National Museum of American Art. A major retrospective, “Weaving His Art on Golden Looms: Paintings and Drawings by Art Rosenbaum,” was mounted at the Georgia Museum of Art in 2006. He has executed mural commissions at the UCLA School of Law, the Willson Center for Humanities and Arts and the Russell Special Collections Library, both at the University of Georgia. His solo show in 2000 at the Blue Mountain Gallery in New York was reviewed in Art in America.</p></div>
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      <h2 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:1.8310546875em;mso-line-height-alt:1.8310546875em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:300;letter-spacing:-.01em;">LINKS<br><a href="https://www.liveauctioneers.com/catalog/331325_the-end-of-the-nevada-coin-hoard-part-1-of-3/" rel="nofollow" style="color:#1c1d1e !important;"><br>ONE OF A KIND COINS</a></h2><h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.46484375em;mso-line-height-alt:1.46484375em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;line-height:30px;margin-top:0px;margin-bottom:0px;"></h3><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">We are proudly broadcasting live from the Borgata Hotel and Casino. The Nevada Coin Hoard has come to an end. We saved the very best for last. This curation is filled with the highest quality gem BU coins, rolls and bags from the hoard. We wish everyone the best of luck bidding and we hope you enjoy this spectacular 3 day event! Please also visit nevadacoinhoard. com for the live roll and bag tracker</p>
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